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#The weeknd new album trilogy zip file#
Download Album The Weeknd – Trilogy Zip File Mp3 Download. The Weeknd – Beauty Behind the Madness ( Free Album Download, Mp3 Downloads) Beauty Behind The Madness: August The Weeknd will be releasing his third studio album Beauty behind the Madness, featuring hit tracks The Hills, Can't Feel My Face, and Earned It (Fifty Shades of Grey). The Weeknd has just dropped his new mixtape, Thursday, the highly anticipated follow-up to House of Balloons, an album we consider one of the best of the year.
#The weeknd new album trilogy for free#
Let’s be real, very few will purchase a 160-minute album they could otherwise essentially get for free (minus Trilogy’s three new tracks). Ultimately, Trilogy is more of a sonic landmark then it is a new work. He may have chopped and distorted and muddied and run MJ’s music through a blender, but the original ingredients are all still detectable. Or, if you’d rather get specific, just listen to the way Abel ends his notes with a sharp inhale on the bridge of "Twenty Eight" (1:37 – 1:44). "Coming Down"’s rising falsettos and breathy delivery are laden with echoes of Mike. is powerful, the MJ-influence is most easily felt when the pace slows to a crawl. finds Abel covering "Dirty Diana," MJ’s warning about the dangers of groupie love, teasing out every bit of pain and regret he can squeeze from the original. (You might have to be high to catch that last sentence.) More simply put, it’s not hard to tease out The Weeknd’s influences-most obviously Michael Jackson. While Trilogy showcases a fiercely new voice in R&B, nothing springs from nothingness. From Balloons to Silence, the same self-destructive streak paced throughout the music, culminating in the nihilism of "The Fall, " "XO/The Host" and the almost frightening "The Initiation." On the surface, "Wicked Games" is laid back but there are notes of menace in the bass line, and it’s hard to imagine something like “bring the drugs, baby, I could bring the pain” ever coming out of Trey Songz’ mouth. That dysfunctional elegance would quickly establish itself as The Weeknd’s trademark style. (Either that or "Loft Music.") It’s hard to remember now, but at the time there was a real “oh sh*t, I’ve never hard anything quite like this” element to "High For This." Abel’s vocals managed to be simultaneously raw and smooth, while the production fluctuated between gauzy verses and a jittering, pounding chorus: call it the fix and the comedown. There’s no better place to start than with "High for This," the track that I’m guessing served as in introduction to The Weeknd for most. Now, there’s still a large swath of America who has never heard The Weeknd, but I suspect that most of the people reading this review are well versed in Abel’s brand of narco-R&B, so let’s use this review both as a chance to specifically review Trilogy and delve into the musical phenomenon that is The Weeknd.